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"name": "Rama Arya",
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"date": "2014-03-29T17:50:30+00:00",
"modified": "2018-07-24T22:24:02+05:30",
"title": "photo essay: the hidden graffiti of bandra",
"URL": "http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/",
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"content": "<p><img data-attachment-id=\"14736\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/nagranalane_graffiti1-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"5.6","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396088011","copyright":"","focal_length":"29","iso":"100","shutter_speed":"0.02","title":"","orientation":"1"}\" data-image-title=\"nagranalane_graffiti1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14736\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti1.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>The contemplating sage at\u00a0Nagrana Lane<\/strong><\/p>\n<p>I moved to Bombay, sorry Mumbai, this February. And I chose <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bandra\" target=\"_blank\" rel=\"noopener\">Bandra<\/a><\/strong> as my home. It was one of those \u2018destined\u2019 moves as I like to term it. \ud83d\ude42<\/p>\n<p>Bandra grows on you. It slowly becomes the center of your life, and you start believing that there is no other world outside of it; an aberration one slowly and gleefully slips into.<\/p>\n<p>When people ask me what is it like to live in Bandra, my answer, with a grin, is everyone walks in slippers, takes rickshaws, eats breakfast for dinner at Good Luck Cafe – an Iranian restaurant – for 110 rupees, prays at <a href=\"http:\/\/www.mountmarybasilicabandra.in\/\" target=\"_blank\" rel=\"noopener\"><strong>Mount\u00a0Mary\u2019s<\/strong><\/a>, meets at Bandstand, Mehboob Studio is the landmark for everything, and you have Shahrukh, Salman, Rekha, Farhan Akhtar, John Abraham, etc. etc. living down the road. It is towering high rises, charming Koli and East Indian villages, and centuries old churches, juxtaposed next to each other in quaint harmony.<\/p>\n<p>Bandra\u2019s bent towards juxtaposition can\u00a0perhaps be surmised as the very core\u00a0of its reputation as a culturally and artistically \u2018open\u2019 minded suburb, which often blatantly, and at other times in subtle undertones, gets expressed. A classic example of the latter being its graffiti decorated walls that have been written much about. Google Bandra + Graffiti, and you will know what I mean. They are works of art in their own right created\u00a0by National Institute of Design students and aspiring artists.<\/p>\n<p>But there are works you will not find on Google. As I walked back from St Peter\u2019s Church on Hill Road this morning, powerful unabashed statements on gender issues met my eye. A street vendor selling keys, seeing my excitement, suggested I take the tiny side lane, Nagrana Lane, by the bus stop further down. \u201cThere is much more there. You will like it!\u201d I didn’t just like it. I was smitten. Bandra was turning its magic on me, a bit more.<\/p>\n<p><em><strong>Graffiti essay: Tackling gender inequality on Hill Road<br \/>\n<\/strong><\/em>Executed by Population First as part of their <a href=\"http:\/\/www.laadli.org\/about_laadli.html\" target=\"_blank\" rel=\"noopener\"><strong>Laadli campaign<\/strong><\/a> against sex selection and the falling sex ratio in India.<br \/>\n<img data-attachment-id=\"14732\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/hillroad_graffiti1\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"6.3","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396087341","copyright":"","focal_length":"21","iso":"100","shutter_speed":"0.025","title":"","orientation":"1"}\" data-image-title=\"hillroad_graffiti1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14732\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti1.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>Ms. Humpty Dumpty had a great fall<\/strong><\/p>\n<p><img data-attachment-id=\"14733\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/hillroad_graffiti2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"6.3","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396087382","copyright":"","focal_length":"28","iso":"100","shutter_speed":"0.02","title":"","orientation":"1"}\" data-image-title=\"hillroad_graffiti2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14733\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti2.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>Gender inequality: The unheard voice<\/strong><\/p>\n<p><img data-attachment-id=\"14734\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/hillroad_graffiti3-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"5.6","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396087450","copyright":"","focal_length":"21","iso":"160","shutter_speed":"0.025","title":"","orientation":"1"}\" data-image-title=\"hillroad_graffiti3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14734\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti3.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>The multitasking woman\u00a0=\u00a0X<\/strong><\/p>\n<p><img data-attachment-id=\"14735\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/hillroad_graffiti4\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"5.6","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396087420","copyright":"","focal_length":"18","iso":"125","shutter_speed":"0.033333333333333","title":"","orientation":"1"}\" data-image-title=\"hillroad_graffiti4\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14735\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/hillroad_graffiti4.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>My favorite… Bharat pita ki jai<\/strong><\/p>\n<p><em><strong>Graffiti essay: Modernism\u00a0at\u00a0Nagrana Lane<br \/>\n<\/strong><\/em>The street art in Nagrana Lane is the creative expression of\u00a0Harshvardhan Kadam painting under the pseudonym\u00a0<a href=\"http:\/\/www.inkbrushnme.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Ink Brush N Me<\/strong><\/a>.<br \/>\n<img data-attachment-id=\"14737\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/nagranalane_graffiti2-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"7.1","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396088221","copyright":"","focal_length":"18","iso":"100","shutter_speed":"0.02","title":"","orientation":"1"}\" data-image-title=\"nagranalane_graffiti2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14737\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti2.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>A walk through art<\/strong><\/p>\n<p><img data-attachment-id=\"14738\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/nagranalane_graffiti3-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"6.3","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396088036","copyright":"","focal_length":"25","iso":"100","shutter_speed":"0.02","title":"","orientation":"1"}\" data-image-title=\"nagranalane_graffiti3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14738\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti3.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>Ink brush n me<\/strong><\/p>\n<p><img data-attachment-id=\"14739\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/nagranalane_graffiti4-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"}\" data-image-title=\"nagranalane_graffiti4\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14739\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti4.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>Left: Detail,\u00a0‘Fuck Bollywood’; Right: Woman at the white window<\/strong><\/p>\n<p><img data-attachment-id=\"14740\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/nagranalane_graffiti5-2\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"6.3","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396088132","copyright":"","focal_length":"55","iso":"100","shutter_speed":"0.01","title":"","orientation":"1"}\" data-image-title=\"nagranalane_graffiti5\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14740\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/nagranalane_graffiti5.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>Flaming\u00a0locks and the hijab<\/strong><\/p>\n<p><em><strong>Graffiti period: Steps of Bomanjee, circa 1879<\/strong><\/em><br \/>\n<img data-attachment-id=\"14731\" data-permalink=\"http:\/\/ramaarya.blog\/2014\/03\/29\/photo-essay-the-hidden-graffiti-of-bandra\/bomanjeesteps_1\/\" data-orig-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg\" data-orig-size=\"584,389\" data-comments-opened=\"1\" data-image-meta=\"{"aperture":"6.3","credit":"","camera":"Canon EOS 600D","caption":"","created_timestamp":"1396089941","copyright":"","focal_length":"55","iso":"100","shutter_speed":"0.01","title":"","orientation":"1"}\" data-image-title=\"bomanjeesteps_1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg?w=300\" data-large-file=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg?w=480\" loading=\"lazy\" class=\"alignnone size-full wp-image-14731\" style=\"margin:0;border:0 none;\" src=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg?w=480\" alt=\"\" srcset=\"https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg 584w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg?w=150&h=100 150w, https:\/\/ramaarya.files.wordpress.com\/2018\/07\/bomanjeesteps_1.jpg?w=300&h=200 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/p>\n",
"excerpt": "<p>The contemplating sage at\u00a0Nagrana Lane I moved to Bombay, sorry Mumbai, this February. And I chose Bandra as my home. It was one of those \u2018destined\u2019 moves as I like to term it. \ud83d\ude42 Bandra grows on you. It slowly becomes the center of your life, and you start believing that there is no other […]<\/p>\n",
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